Black and White Photography Workshop

I’ve written before about how much I enjoy conducting photography workshops.  Its also a great way for the Photo Club to fulfill what I believe its mission to be.  Now granted, I wrote that mission statement, so it might be somewhat biased.  I’ve been President of the club for the past 3 1/2 years.  This being my last year.  That mission statement might be re-written by the next person in this position, but for now it works.  Onwards to workshops.

ive come to believe that if you want to anything better, teach it to someone else.  Since becoming president of this club I have conducted more than a dozen workshops and loved every one.  Some of the topics I scheduled myself to teach I knew next to nothing about.  A little pressure to jump into hyper-learning mode.  They worked out fine.  While I try to convince others in the club to try this approach I secretly worry that if too many get into the workshop teaching mode, I’ll lose my chance to conduct as many as I like…it’s a weird quandary.  On the other hand I’d like to continue honoring our commitment to our fine public library, but can’t conduct workshops every month myself.  I know one thing for certain, even when I’m no longer club president I intend to keep teaching workshops as often as I can  

I just complete a  workshop on Black and White Photography, which I absolutely have come to love this past year.  I really fell in love with Black and White when I had several printed.  Seeing the actual prints, and hanging them up, made all the difference.

my Flickr gallery of black and whites.

Workshop Materials

Related Images:

Printing My Images

I, like most of us (I think), believe the printed image is the epitome of the photographer’s art. Probably, again like most of us, I print very few of my pictures with social media being the primary means of sharing.  When you think of it, this is crazy.  I shoot with a 36 megapixel camera, and post at 75dpi, on Facebook.  I could easily be shooting with an iPhone and do just as well! Well I decided to try to print more images, and have spent several days culling my library to find candidates.  One thing I found is that the ones that might look interesting in print are not necessarily the same as what I previously considered my “best” pictures.  Sure there is overlap, but when I try to envision the print, many of my previously favorite images look like they wouldn’t really stand out.  This really is a difficult sorting process!  So here is my current “possibles” list. (Click image)

Mountain line

Black and White Pictures

(Updated March 2017) I’ve always like the look of black and white images, but was never very “sure” if they were worth it.  Recently I had someone buy a group of my images posted on Flickr, and surprise, they were all black and white!  Surprise, because that sale told me someone else liked the black and white images enough to pay for them.  I’ve therefore started to pay more attention to black and white. 

I started by gathering most of my black and whites and posted them into a single Flickr gallery. Looking at them as a single gallery, I do like what I see.  Black and White has a very different impact on the viewer.  Not all of these images are worth bragging about, but as a collection, they are interested.  Recently (March 2017), because of a local arts festival our Photoclub is participating in, I printed a number of images.  Again, I was struck with the look of the black and whites.  Printed on a “metallic” paper these images are beautiful.  The blacks are rich, and white areas look almost like chrome.  They are again, my favorites.

My technique for B&W entails quite a bit of processing.  I’ll usually start by trying to extend the dynamic range of the original, using HDR if that does what I want, and increase the detail using something like Nik Color Effects.  This ensures that the black and white takes on the dynamic range of the old silver halide films. I then convert to B&W, using either Nik Silver Effects, or Photoshop B&W conversion .  I’ve also found that using the gradient mask adjustment in Photoshop can also create good black and whites.  I do not use Lightroom for this step.  Noise reduction comes into play as a final touch, since my harsh processing will usually result in an unacceptable level of noise.  I have learned, especially by looking at printed results, that black and whites look best when you have areas of real pure black, and real pure white.  That contrast and range make the images pop, as opposed to images that are primarily gray tones.  I’ll occasionally give the black and whites a sepia tone, but printed, they look better and are more striking as black and white.  Finally on some images I’ll overlay the black and white version on top of the colored version (layers in Photoshop) and slightly increase the transparency of the black and white layer to bring a very slight shade of color back to the image. Especially on old “grungy” shots, like old cars, or buildings, this looks great.